Seth’s scripts are available upon request, or can be found on his New Play Exchange page.
What do you think your friends think you think of them? Told from multiple viewpoints throughout one disastrous Halloween party, the play follows four couples in varying degrees of love and anguish. They scheme, overlap, and intertwine as they take turns fighting for love and throwing each other under the bus. It is about the bureaucracy of friendship and romance, the found family that we build for ourselves, and the terror of what comes next when that family starts to break apart.
Production History:
Short Play Premiere: The Chain One-Act Theatre Festival, dir. by Elena Cramer (2022)
Full-Length Premiere: The Players Theatre, dir. by Elena Cramer (2024)
ApocaLIPSTICK
Photo Credit: Gallery by Geve
Stupid Boring Straight People
Photo Credit: Nina Goodheart Photography
Full-length (2f, 1m, 6-9 ensemble)— run time: 90 minutes
A tale about blood, guts, and unrequited love at the end of the world, ApocaLIPSTICK tells the story of punk rock band, The Dammit Janets, as they tour across a zombie-infested wasteland in search of their missing frontwoman. Along the way, shifting radio static unearths the stories of other survivors and communities and how they’ve adapted to life in the hellscape. As they waste zombies and play shows, The Dammit Janets must reassess their priorities and decide what’s worth holding on to at the end of days.
Production History:
Premiere: The Players Theatre/Forager Theatre Co., dir. by Jennie Hughes (2025)
Full-length (1m, 1f )— run time: 100 minutes
Just beyond the veil, just off this mortal coil, Charon the River Guide ferries dead souls across the River Styx. He collects payment for his services (cash only) and wends his way back across the water. After eons of toiling away at his post, however, Charon craves a change. He applies for the Hades Employee Development and Enrichment Program and thus begins his odyssey through miles of red tape, mountains of mid-level minutiae, and endless hours of pencil pushing. As he delves further and further behind the curtain, Charon must also maintain his own duties of ferrying dead souls across the River Styx, a job with which he grows increasingly jaded with each passing day. As Charon embarks on his desperate quest for meaning, Hades, CEO of All Things Under the Earth, must work tirelessly to appease his ever-overseeing Board Above. With Hades’ job and Charon’s sanity on the line, lowly laborer and hotshot CEO steadily circle the great shower drain of corporate middle management.
Production History:
Staged Reading: The Tank/Tier5 Productions, dir. by Le’Asha Julius (2024)
Styx & Stones
Full-length (11 people, any gender)— run time: 100 minutes
The lovely princess Helena, cheer captain and queen of Magical Realism High, has a problem. She loves Ramsey, the jock, the stud, the knight in shining armor, yet her passions also burn for Agravain, the skid, the bad boy, the rogueish knave. When she takes an ill-advised stroll through the local haunted graveyard, Helena crosses a Crypt Witch, who curses her to kiss her one true love by midnight or else she shall be transformed into a worm forever. Who will Helena choose? Will she be able to navigate her friends, the pressures of life as a princess, and her upcoming career consultation with Mrs. Guidance Counselor, all while avoiding a sordid, wormy fate?
Production History:
Excerpt: The Tank/CLOCHE: A Menu of New York, dir. by Em Hausmann (2025)
Lest Ye Be A Worm
One-act (3f, 3m)— run time: 70 minutes